Our flight came into the airport of Sevilla. It was about the size of the terminal in Juneau and was fittingly underwhelming. We caught the bus into the city and it was that part of the trip which first brought me to face the wonders of southern Spain. We quickly unpacked and cleaned up and prepared to meet the city outside our hotel door.

The old part of the city was wide, cobblestone streets with buildings, from all architectural influences, continuously lining the narrow horizon. A sleek tram system glided through the middle of it all on shiny tracks. It was striking to watch the trains running past the old buildings; it was such a contrast.
We arrived in the afternoon and so our first experience with the city was in evening light. We wandered past holiday shoppers at the vendor booths spilling over with scarves and paintings and trinkets and foods.
As the evening progressed the cold drove us to an indoor shopping center to hunt for food and evening activity.
It was called plaza de armas and looked like it could have once been an important train station. We caught a movie, dubbed into emasculating male-ish voices, and called it a night.
The next day we got to see every face of Sevilla, it rained warm and cold and was clear skies warm and cold. We saw rainbows and un-ripe mandarins. The city was certainly a different old beast in the sunlight.
Hip fre
The moment which probably struck me the most that morning was the Plaza d

Then we found our way to the castle complex and I came to a whole new level of fantasy world. There were networks of courtyards and fountains and walkways lined by winding, intricately designed tesselates, again from the Muslim influence. Although the castle had been made a place for Christian royalty, the styles were mixed into a hodge podge which a 21st person like myself could almost mistake for intentional. The once brilliant colors were fading but retained an enriching influence on the whole thing. It was difficult to capture with a camera but it was pleasant to experience in person.
We wandered through ever more intimate courtyards until we found ourselves in what had been the ladies's walking spaces. This led discreetly out into the one of the most magical garden sequences I have ever lost myself into.
Each garden had a different theme and reflected a different culture. Vegetation changed

The next day we caught the Ava train to Cordoba. We smoothly swayed through the countryside and I was lulled to sleep. I woke up in a train station identical to the one we had just left. It was eerie. However, outside the building, Cordoba was very different from Sevilla. Our taxi drove through walls of middle-modern looking apartment complexes before dodging into a frantic network of half-streets, alleys, and amblers. The cabbie managed it like a pro and we were soon making a tight square around the outside of a huge wall. He unloaded our luggage, charged the extra 'trunk space' tax and left us standing right in front of the Mezquita/Cathedral. Our hotel opened out to the walls.
Again, we unloaded our things and headed straight out to explore. We circled/squared the outside and admired the many doors in the face of the building. We decided we should seek alimentation before breaching the walls. We enjoyed a lunch of tasty taps in a restaurant which exuded any of 5 different cultures. Greek, Spanish, British, Arabic, etc. It was delicious and, thus energized, we wandered into the walled courtyard in front of the church.
Now, I need to tell you a quick story. Some 5 years ago I was a college freshman and I was slumped in the back of my architectural history class. I had picked this class because I loved the subject and it fascinated me but I was delighted to find it administered by the most fascinating little Nordic lady named Nano Nore. In the haze of slides and explanations and terms I remember one particular picture in the text book. Red and white arches bounded off into the background atop a forest of pillars. The picture caught my eye and I spent an extra 5 seconds staring at that page, dreaming of seeing that place and absorbing the wisdom of the philosophers and mathematicians who had once wandered those halls.

And then there was good old King Ferdinand III the Saint. In the 1200s he raised a huge baroque/gothic dome chapel in the middle of it. The majority of the walls were littered with dozens of chapels to saints and the coordinating doors have their names on bricks outside the doors. It truly was a creation.
The evening took us out onto the Puenta Roma to watch the evening light crawl up the walls and across the river.
The next day we got caught up in Dia de los Reyes parade and pelted by candy and

For now at least.
*All the awesome pictures in the post are the work of the gifted Matt Jones.
3 comments:
What does ketchup have to do with it? And when did you start finding mud "off-putting"?
That's a great picture of you reading in the castle with all the arches, that wouldn't happen to be "Rick Steve" you're reading?
Well, some random Spanish person I encountered on our travels thought it was strange that I specifically requested no ketchup on my my food.
Mud is 'off-putting' when you only brought one pair of pants for a 4 day trip.
Dad, I forgot to tell about drinking mate with a family of Argentines one afternoon in a park by the Puente Roma. It was cool.
You are seeing such beautiful places. Are you enjoying your work also? you may have a hard time coming back to the usa, we have a habit of tearing down anything we think is old. I love how you describe the buildings. take care, Love, Jeannine
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